Oba of Lagos condemns Owambe Exhibition over cultural misrepresentation, calling for policy review and ministerial oversight

Oba of Lagos condemns Owambe Exhibition over alleged misrepresentation of Yoruba culture, citing rising concerns from traditional institutions and youth representatives.

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His Royal Majesty, Oba Riliwanu Babatunde Akiolu I, has formally condemned the controversial art showcase titled “An Owambe Exhibition” by artist Uzo Njoko, following a formal petition lodged by the Yoruba Youth Council.

The monarch has expressed deep concern over what he described as offensive portrayals of Yoruba traditions and celebrations.

The petition, dated 22 September 2025, was forwarded by the palace to the Lagos State Ministry of Tourism, Arts and Culture on 24 September, urging the Honourable Commissioner Mrs. Toke Benson-Awoyinka and Special Assistant Mr. Idris Aregbe to take immediate action.

In a letter issued by the palace secretary, the Oba warned that cultural misrepresentation of this nature could spark unrest within Lagos and its environs if left unchecked.

Ọba of Lagos condemns Owambe Exhibition — Uzo Njoko, accused of cultural misappropriation

He also stressed the importance of stricter oversight on public exhibitions, requesting the ministry to review and enforce its existing cultural approval policies.

According to the letter, copies of the directive were also shared with key authorities, including the Commissioner of Police and the Area Commander of the Lagos Island jurisdiction.

While Uzo Njoko’s exhibition aimed to celebrate the vibrant essence of Yoruba parties; popularly known as “Owanbe”, critics argue it veers dangerously into caricature, distorting sacred elements for commercial gain.

This development adds to growing discourse around cultural appropriation and the need for respectful artistic representation of Nigeria’s ethnic identities.

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The Oba’s firm stance sends a powerful signal that traditional institutions remain active custodians of heritage; and will not tolerate the dilution of their legacy under the guise of modern expression.