Wale Adenuga Papa Ajasco controversy addressed as producer responds to claims by actor Abiodun Ayoyinka over role and brand rights
Veteran Nigerian filmmaker Wale Adenuga has addressed the ongoing controversy involving the character Papa Ajasco, responding to claims made by actor Abiodun Ayoyinka in a recent media interview.
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Adenuga, the creator of the iconic Papa Ajasco franchise, said he was compelled to clarify what he described as widespread misinformation and emotional commentary surrounding the issue.
He explained that Ayoyinka, who is widely recognised for portraying Papa Ajasco, remains a respected figure within the production circle and has maintained a close relationship with him.
Wale Adenuga Papa Ajasco controversy, he said, centres largely on the use of the brand name and public perception of ownership.
Adenuga noted that the character Papa Ajasco was created in 1976 during his publishing days, long before its transition to television, and remains a protected intellectual property.
He acknowledged Ayoyinka’s contribution to the success of the character, describing him as a versatile actor who closely resembles the original concept.
However, he stressed that the actor does not have the right to use the Papa Ajasco brand independently for personal ventures, citing the need to preserve its integrity.
“It is our duty to protect the brand from inappropriate usage that could damage its reputation,” Adenuga said.
He also addressed claims relating to welfare, stating that Ayoyinka had benefited from several forms of support over the years, including the provision of vehicles and access to resources.
According to him, the actor had used multiple cars, including a Mercedes-Benz, at different times and owns a residence in Ogun State.
Adenuga further clarified that Ayoyinka had not been restricted from taking advertising opportunities, noting that such engagements only require proper approval in line with brand guidelines.
Wale Adenuga Papa Ajasco controversy has sparked debate across social media, with fans expressing mixed reactions over the rights to the long-running comedy franchise.
In a measured tone, Adenuga said his intervention was not driven by malice but by a need for transparency and to safeguard a legacy that has entertained Nigerians for decades.
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Observers say the development highlights broader issues around intellectual property rights and actor-brand relationships in the Nigerian entertainment industry.
David Okere is a journalist and contributor to Freelanews.com, covering business, governance, public affairs, and human-interest stories with a commitment to accuracy, balance, and public interest reporting.
